Hieronymus Bosch’s (c.1455-1516) nightmarish monsters and demons, his bizarre allegories, and the amorous exploits in his Garden of Earthly Delights have intrigued viewers for centuries. Little is known about this remarkable painter, although it has been claimed that he was a member of a heretical sect, a dabbler in alchemy and even a drug-user! This lecture unravels the meanings of Bosch’s enigmatic paintings in the context of his own time, explaining them in terms of social satire, medieval folklore and pre-Reformation spirituality, while also revealing the beauty and inventiveness of his images.
Lecturer: Paula Nuttall
Specialist in Renaissance art, both Italian and northern European, on which she has published widely, notably From Flanders to Florence: the Impact of Netherlandish Painting 1400-1500 (Yale, 2004). Has collaborated on major exhibitions including Jan van Eyck: an Optical Revolution (Ghent, 2020). Before retiring in 2023 Paula was Director of the V&A Medieval and Renaissance Year Course, and has taught at – among others – the Courtauld Institute and the British Institute of Florence. She now focuses on the Arts Society, her own online courses, and research.
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