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Lecture Archives for Monthly Lectures in the 2022-2023 Season
Public Sculpture
Thu 6th Jul 2023 @ 11:30 am - 12:30 pm
Public Art is a contentious subject. It is the most visible art form and therefore is an easy target. But how do they come to appear in our public spaces? This lecture tracks the development of public art over the last century and looks at various examples to see why are some loved and others loathed. It also explains the process of procurement from the initial commissioning to the production and installation. Drawing from my own experience and using case studies I take the audience through this process and try to show why we are all richer with the presence of art on the streets.
Lecturer: David Worthington BA Oxon, MA, FRBS
David Worthington has been drawn to abstract sculpture since seeing a Barbara Hepworth in a school history book aged 10. He graduated from Oxford University in 1984 with a degree in Philosophy and Theology, then studied fine art in London, Barcelona and New York. A maker he also curates and writes about art. He was shortlisted for the Jerwood Sculpture Prize in 2009.
David is a Fellow of The Royal Society of Sculptors, and was Vice President in 2010-13.
He has carried out public commissions in the UK, America and Japan. His work is in the museum the Creative Cities Collection Beijing China. He has had solo shows at the Lefevre Gallery, Sladers Yard, Horatio’s Garden, the William Bennington Gallery, the Glyndebourne Festival Opera, and in October 2017 at the Lightbox Gallery Museum, Woking. He took part in exhibitions at Colyer Bristow Gallery and Contemporary Sculpture at Fulmer 2018.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
The Kennedy White House
Thu 1st Jun 2023 @ 11:30 am - 12:30 pm

National Archives and Records Administration, Public domain, via Wikimedia Commons
[spacer height="40px"]This talk is about the White House’s most celebrated twentieth century residents. Others had been, perhaps, more intellectual, such as Eleonora Roosevelt, certainly others utterly perfidious, just to name Nixon for one, but no other couple who inhabited the White House were ever so glamorous, sophisticated and celebrated. Of course they will never be forgotten given the tragic end to the Kennedy presidency, but this has tended to overshadow, somewhat, the astounding aesthetic and artistic changes made during their relatively brief tenure. Apart from the wonderful film tour of the residence made by Mrs Kennedy and still shown to visitors today, the Rose Garden was a fine creation by Jackie and her friend, the renowned garden designer Bunny Mellon. So too, the interiors were restored seriously, based on historical research and items belonging to the house throughout its history were purchased and returned, even in many cases gifted back by patriotic individuals. Take a trip down memory lane and visit Camelot in this richly illustrated talk.
Lecturer: Andrew Hopkins
Previously Assistant Director of the British School at Rome from 1998 to 2002 and since 2004, Associate Professor at the University of L'Aquila. Part of his PhD (Courtauld Institute 1995) on Venetian architecture was awarded the Essay Medal of 1996 by the Society of Architectural Historians (GB). A Fellow at Harvard University's Villa I Tatti in Florence in 2003-2004, and in 2009 was the Paul Mellon Senior Visiting Fellow, Center for Advanced Studies in the Visual Arts, National Gallery of Art, Washington D.C. Amongst his many publications are, with Arnold Witte, Alois Riegl, The Origins of Baroque Art in Rome (2010), and Baldassare Longhena and the Venetian Baroque (2012).
In general, I give lectures for The Arts Society from January to June each year.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
The Colour Blue – From paradise to poison
Thu 4th May 2023 @ 11:30 am - 12:30 pm

Lecture Description
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Deep blue is the most popular colour in the world. Perhaps it is redolent of velvety night skies and starry Summer evenings. It is thought to symbolize strength and wisdom. It has always stood for the cosmos and the Virgin Mary, as a colour of the intellect and spiritual healing and was the colour of heaven for the Ancient Egyptians. This colour, made from ground-down lapis lazuli that travelled over the Silk Route from Afghanistan to Florence was more precious than gold. On the great altarpieces it came to symbolize the wisdom of God. But in the search for a cheaper blue, an entirely artificial chemical compound led to a deeply sinister result. Fashionable though it was, Prussian Blue, used in the Prussian court and in fashionable portraiture was the same chemical compound as the deadly poison – cyanide. Prussic acid was a key ingredient of Zyklon B, the gas used in the extermination camps. Finally, there is a return to the glories of ultramarine in the stained glass windows of Chagall.
Lecturer: Hilary Guise
Hilary Hope Guise is Director of Art History for Florida State University on the London Campus. She has also taught courses for universities in North Carolina, Montana, Aix-en-Provence, and Cambridge University. She was an invited Guest Speaker in Classics at the International MENSA conference also held in Cambridge. She has toured widely in the USA as Evelyn Wrench Speaker for the English-Speaking Union of America, and lectured for the Smithsonian Institute in Washington DC. She tours regularly for The Arts Societies around the UK and Europe, and has been as far as New Zealand on the Australasia circuit. She returns regularly to her home city of Cape Town to lecture at the University of Cape Town Summer School. She has post-graduate degrees in Classics as well as in Fine Art, and combines a passionate love of Classical Greek culture, with a life-long career in the visual arts as a practising artist.
Her artwork can be seen on her website: www.hilaryguise.com through which you can also send a message.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
From Errol Flynn to Bottles of Gin: Literary Portraits and their Afterlives
Thu 6th Apr 2023 @ 11:30 am - 1:30 pm

I confess to not thinking it much like the original – but that the public will not be able to detect…
Cassie Austen on her Aunt Jane’s portrait.
From Burns to Byron and from Jane Austen to the Brontes; this lecture will uncover the fascinating stories behind some literary portraits of the Romantic period. We’ll look at various ways in which Romantic writers have been depicted in art, and how these likenesses have been received; both during the writers’ lifetimes, and posthumously.
We will also explore the afterlives of literary portraits and their use in popular culture – from banknotes and fridge magnets, to tins of shortbread and bottles of gin.
How do writers’ portraits contribute to literary fame and celebrity? Do these images affect our perception of their lives and work? And to what extent may portraits of writers be said to be fictions themselves?
Lecturer: Annalie Talent BA(Hons), PGCE
Following a career in teaching, Annalie spent several years working on education programmes at museums and literary houses across the UK, including the Wordsworth Trust, Grasmere; Wordsworth House in Cockermouth; Jane Austen’s House in Hampshire; and the Ashmolean Museum in Oxford. At Jane Austen’s House, Annalie won 2 Sandford Awards for Excellence in Heritage Education; she also worked with the British Library, the Bodleian Library, and Chawton House Library in promoting Austen’s work to young people.
Annalie’s lectures focus on aspects of Romantic and Victorian literature. She uses her knowledge and personal experience of literary houses – and their collections – to offer a unique perspective on writers and their works. She is particularly interested in the material culture of writers’ lives, including the quirky and interesting; from the collar worn by Emily Bronte’s dog, Keeper, to William Wordsworth’s ice-skates.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
Henry VIII and the Field of the Cloth of Gold
Thu 2nd Mar 2023 @ 11:30 am - 12:30 pm

Unknown author, Public domain, via Wikimedia Commons
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In June 1520 the king of France and the king of England met in a field outside Calais to celebrate peace. The celebrations that accompanied this meeting have become known as The Field of Cloth of Gold because of their extravagance and luxury, a magnificence captured in the famous painting at Hampton Court. Textiles, armour, goldsmiths’ work, painting and even a dazzling temporary palace were all called upon to impress the watching world. The diplomatic negotiations were ultimately worthless but for Henry VIII and François I it was a chance to compete for honour and glory. This lecture explores the history and artistry of this magnificent yet arguably futile event.
Lecturer: Dr Gillian White
Dr Gillian White specialises in the history and visual arts of late medieval and sixteenth-century England. After beginning her career at the Warwickshire Museum, she then worked for the National Trust as Curator/Collections Manager at Hardwick Hall, Derbyshire, about which she wrote her PhD at Warwick University. Since that she taught part-time at Leicester University in the Centre for the Study of the Country House and continues to teach History of Art in the Department of Continuing Education at Oxford University and elsewhere.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
Opera : The melting pot of culture
Thu 2nd Feb 2023 @ 11:30 am - 12:30 pm

This is my ‘calling card’. The lecture is of general interest and charts opera’s close connection with the society that is paying for it. The talk moves from the 17th and 18th century preoccupations with princely patronage, classical plots, courtly manners, high voices, enormous costumes and happy endings – through the gear change of the war and revolution to the 19th century concerns of nationalism, epic themes and doomed heroines. The talk is based on years of writing articles, programme notes, and lecturing for the Royal Opera House and the BBC.
Lecturer: Sarah Lenton
Sarah Lenton has spent her working life in the theatre, principally at the Royal Opera House, Glyndebourne and English National Opera. She writes programme articles and websites, she gives lectures on the operas and ballets in the rep. and does live opera broadcasts and podcasts for BBC Radios 3 and 4. She has written and directed many shows, including more than 20 for the Royal Opera House Linbury Studio Theatre and for Glyndebourne Touring Opera. She is also a cartoonist.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
Picasso`s Guernica
Thu 5th Jan 2023 @ 11:30 am - 12:30 pm

Zarateman, CC0, via Wikimedia Commons
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Picasso's Guernica the painting created in 1937 is considered by many to be his greatest masterpiece. Painted as a reaction to the bombing of the Basque town during the Spanish Civil War, it shows the horror, cruelty and devastation of modern warfare. The painting contains a lot more than a depiction of war. Picasso explores many themes, love, death, nationhood, motherhood and his own life at that point in time. The painting is also full of cross references to the history of art, Picasso gives a nod to Rubens, Goya and Poussin and others. Guernica has a history of its own, once it leaves Picasso’s studio, and its story continues. A painting worth spending some time to get to know a little better.[spacer height="20px"]
Lecturer: Paul Chapman
Paul is an Art Historian and a National Gallery trained guide with many years of experience working in education. As a freelance Paul delivers courses and lectures for a wide range of educational organisations. Paul has also given talks and tours for art associations/societies in Museums and Galleries in the UK and Europe. As a writer, Paul has published a book, which examines the subject of cultural crossovers and appropriations in 20th century painting. Paul has a long-standing commitment, in conjunction with the National Gallery as a tour guide at the Longford Castle art collection and he is also a visiting tutor at Marlborough College and a tutor at MCSS.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
The art of the cartoonist
Thu 1st Dec 2022 @ 11:30 am - 12:30 pm

Harry Venning has been a professional cartoonist for thirty years, during which time he has provided cartoons for several high-profile UK publications (The Guardian, Radio Times) as well as for countless more obscure titles (British Journal Of Wound Care).
He was awarded UK Strip Cartoonist Of The Year for his Guardian strip Clare In The Community, which he adapted into a Radio 4 sitcom.
In 'The Art Of The Cartoonist' Harry will be tracing the history of his profession with examples from early practitioners like Cruickshank and Hogarth, to more contemporary artists such as Giles and Schulz, bringing events right up to date with cartoons produced fresh on the page that day!
Yes, Harry will be drawing live. Prepare to hear some tricks of his trade, learn where to put eyebrows for maximum effect and discover exactly what the eskimo brothers said in The Funniest Joke Ever (possibly).
Lecturer: Harry Venning BA
I graduated from the University of Wales, Aberystwyth with a BA in history, formed a touring theatre company bringing new plays to audiences in rural Wales, was then employed for a year as an actor/writer with the Channel Theatre Company in Ramsgate, Kent, before giving up acting and becoming a cartoonist instead.
I have had work published in the UK and abroad, including the strip Clare in the Community which has been a weekly feature in The Guardian since 1996. In 2016 I was awarded Strip Cartoonist of the Year by the UK Cartoon Trust.
I am also a Sony Award winning writer of radio comedy, including the shows Coach Karen’s Half Time Team Talk and Clare in the Community starring Sally Phillips, currently recording its twelfth series.
For the last ten years I have been performing my cartoon workshop Release Your Inner Cartoonist in its many different guises, to audiences as diverse as schoolchildren, business executives and festival goers.
I can’t draw hands or horses.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
The British Army in India – an unofficial view
Thu 3rd Nov 2022 @ 11:30 am - 12:30 pm
Many thousands of British soldiers - and, in some cases, their wives - sailed out to India in the 18th and 19th centuries. In the era before photography, many sent back drawings and paintings intended for private consumption. These now offer us a vivid insight into various aspects of their lives, sometimes unglamorous, often amusing. We see their journey out, their social activities, their bungalows, gardens and hill stations; also their cuisine, their recreations, life on the march, and their means of coping with heat, insects and other maladies…
Lecturer: Patrick Connor MA DPhil
1970-71 Teacher at Marlborough College. 1975-86 Keeper of Fine Art at the Royal Pavilion, Art Gallery & Museums, Brighton. Since 1986 Director of the Martyn Gregory Gallery, London. Author of several books including Savage Ruskin, Oriental Architecture in the West and George Chinnery, artist of India and the China Coast.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale
The subtle science and exact art of colour in English Garden Design
Thu 6th Oct 2022 @ 11:30 am - 12:30 pm

Fillius, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons[spacer height="40px"]
In 1888 Gertrude Jekyll wrote a short but seminal article in The Garden in which she urged the readers to “remember that in a garden we are painting a picture”. As an accomplished watercolour artist, Miss Jekyll was familiar with the principles of using colours, but she felt that in gardens these principles “had been greatly neglected”. This talk looks at how to apply these principles in designing a border, but it also looks at the ways in which a border is different from a painting. However, it goes further than this and looks at how contemporary work of the likes of Turner, Monet, Rothko, Jackson Pollack, and Hockney evolved in parallel with ideas about what a garden or border should look like.
Lecturer: Timothy Walker Master of Horticulture, BA
From 1988 to 2014 I was the Director of the University of Oxford Botanic Garden. Botanic gardens are often described as living museums, and garden curators lecture about them in the same way as museum curators talk about their collections. Gardens are often thought of a place where science and art meet on equal terms and my lectures often investigate this relationship. Since 2014 I have been a college lecturer and tutor in Botany and Plant Conservation at Somerville College Oxford.
Stalbridge Hall, Lower Road, Stalbridge
Sturminster Newton,
Dorset
DT10 2NF
United Kingdom.
Oganiser: The Arts Society Blackmore Vale